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X-WR-CALDESC:Events for Get Hiroshima
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TZID:Asia/Tokyo
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TZOFFSETFROM:+0900
TZOFFSETTO:+0900
TZNAME:JST
DTSTART:20170101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260314
DTEND;VALUE=DATE:20260630
DTSTAMP:20260819T005723
CREATED:20260503T061651Z
LAST-MODIFIED:20260503T061651Z
UID:10014047-1773464400-1782709199@gethiroshima.com
SUMMARY:The Secret of the Finnish Sauna
DESCRIPTION:An exhibition that explores the history and culture of the sauna\, which is deeply rooted in Finnish daily life—from multiple perspectives\, uncovering the secrets of a rich and fulfilling way of living. \n \nThe sauna is said to have originated in Finland more than 2\,000 years ago. In Finland\, ancient folk beliefs still live on\, and it is believed that welcoming the spirit dwelling in the sauna brings prosperity to the household. As a result\, saunas are an integral feature of both private homes and public facilities. People relax both body and mind in saunas. Saunas also serve as spaces for communication and social connection. \nAmong the exhibits is a full-scale recreation of the sauna cabin from Alvar Aalto‘s Muuratsalo Experimental House. \nAdmission\nGeneral admission: 1\,100 yen\nUniversity students 800 yen\nHigh school students and seniors (65 and over): 550 yen
URL:https://gethiroshima.com/event/the-secret-of-the-finnish-sauna/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/webp:https://gethiroshima.com/wp-content/uploads/2026/05/The-Secret-of-the-Finnish-Sauna.webp
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250927
DTEND;VALUE=DATE:20251209
DTSTAMP:20260819T005723
CREATED:20250930T153033Z
LAST-MODIFIED:20250930T164041Z
UID:10013995-1758949200-1765169999@gethiroshima.com
SUMMARY:Takano Ryudai Exhibition
DESCRIPTION:Takano Ryudai: kasubaba Living through the ordinary exhibition at Hiroshima City Museum of Contemporary Art. \n \nFrom the HMOCA website: \nTakano Ryudai is a photographer and artist who won the 31st Kimura Ihei Award for his photo book IN MY ROOM (2005) and continues to be active both in Japan and internationally.  \nIn addition to his works exploring themes of sexuality\, Takano has engaged in everyday snapshots\, such as his Mainichi Shashin and Kasubaba series. Since the Great East Japan Earthquake\, he has also explored the theme of shadows\, delving into the fundamental nature of photography itself. \n \nThe title of this exhibition\, kasubaba\, is a term coined by Takano to refer to several “insignificant places” (kasu meaning scraps or remnants\, and ba meaning place). Presenting a comprehensive overview of Takano’s artistic journey\, including never-before-seen works\, this exhibition may offer clues to surviving an increasingly uncertain everyday life. \nOpening hours 10:00–17:00\nFinal admission until 30 minutes before closing \nClosed\nMondays (except October 13\, November 3 and 24)\, October 14\, November 4 and 25 \nAdmission:\nAdults 1\,100 yen\nUniversity students 800 yen\nHigh school students and seniors (65 and over) 550 yen \nSpecial Events \nTakano Ryudai gallery talk\n15:30-16-30\, October 4\nLimited to 80 people. Tickets will be distributed from 10am. \nTakano Ryudai gallery talk\n15:30-16-30\, October 5\nLimited to 80 people. Tickets will be distributed from 10am.
URL:https://gethiroshima.com/event/takano-ryudai-exhibition/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/webp:https://gethiroshima.com/wp-content/uploads/2025/10/Takano-Ryudai-from-the-series-CVD19-2023-.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250222
DTEND;VALUE=DATE:20250603
DTSTAMP:20260819T005723
CREATED:20250416T035959Z
LAST-MODIFIED:20250416T041733Z
UID:10009327-1740200400-1748840399@gethiroshima.com
SUMMARY:Perfume Costume Museum
DESCRIPTION:Exhibition focused on the inventive costumes designed for one of Japan’s most successful J-pop bands.\n \nThe three-piece girl band Perfume\, which hails from Hiroshima\, is one of this century’s most successful J-pop bands. Their style has been a big part of the futuristic techno-pop image for which they are known. \nOn display at this HMOCA exhibition are around 180 costumes that trace the evolution of their style throughout their 25-year career.  \n\nVisitor Information\nOpening hours: 10:00–17:00 (Final admission 16:30)\nClosed Mondays (except 2/24 and 5/5 when will close the following Wednesday instead) \nAdmission:\nGeneral: 1\,600 yen\nUniversity students: 1\,200 yen\nHigh school students and those aged 65 and over: 800 yen\nJunior high school students and younger: Free
URL:https://gethiroshima.com/event/perfume-costume-museum/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/webp:https://gethiroshima.com/wp-content/uploads/2025/04/Perfume-Costume-Museum-Hiroshima-1.webp
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250115
DTEND;VALUE=DATE:20250211
DTSTAMP:20260819T005723
CREATED:20250131T050043Z
LAST-MODIFIED:20250131T052301Z
UID:10009279-1736917200-1739163599@gethiroshima.com
SUMMARY:"Hiroshima Appeals" Posters 1983-2024 Free Exhibition
DESCRIPTION:The Hiroshima Appeals Posters project was launched in 1983 as a new campaign aspiring for peace and conveying the spirit of Hiroshima to people all over the world through graphic design.  \n \nIn addition to presenting all 28 of the Hiroshima Appeals posters dating to the beginning of the project\, HMOCA commemorates the 80th anniversary of the atomic bombing “by striving to impart the need for each and every person to continue thinking about peace amid the increasingly tense global situation\, and the importance of achieving a world without nuclear weapons.” \nAdmission: Free \nhttps://hiroshima.jagda.or.jp/appeals.html
URL:https://gethiroshima.com/event/hiroshima-appeals-posters-1983-2024-free-exhibition/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art,Free
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241130
DTEND;VALUE=DATE:20250211
DTSTAMP:20260819T005723
CREATED:20250103T074441Z
LAST-MODIFIED:20250103T074441Z
UID:10009072-1732942800-1739163599@gethiroshima.com
SUMMARY:Yuki Harada: Home Port
DESCRIPTION:Born in 1989 in Yamaguchi Prefecture\, Yuka Harada grew up in Hiroshima. In 2016 earned an MFA in Inter Media Art\, Tokyo University of the Arts. Harada employs technology and performance in landscapes and self-portraits that express the essence of society and the individual\, taking insignificant examples of visual culture as his motifs.  \nSince residing intermittently in Hawaii since 2019\, Harada has focused on cultural motifs of a transnational nature\, particularly the phenomenon of pidgin English. \nIn this exhibition\, all of his major works to date\, including “One Million Seeings\,” “Waiting for\,” and “Shadowing\,” will be on view. In addition\, a new series\, “Dreamscapes\,” are on display. \nExhibition Details\nNovember 30\, 2024 – February 9\, 2025\n10:00-17:00\nClosed Mondays (except January 13)\, December 27—January 1 and January14 \nAdmission\nGeneral:  ¥1\,100\nCollege: ¥800\nHigh school and seniors (65 and over): ¥550
URL:https://gethiroshima.com/event/yuki-harada-home-port/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/webp:https://gethiroshima.com/wp-content/uploads/2025/01/YukiHarada_HomePort.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240330
DTEND;VALUE=DATE:20240611
DTSTAMP:20260819T005723
CREATED:20240311T225959Z
LAST-MODIFIED:20240311T225959Z
UID:10008891-1711778400-1717999199@gethiroshima.com
SUMMARY:Exhibition: A Reflection on the Sublime
DESCRIPTION:A group show conceived by the artist  Kazuna Taguchi with a structural design by the artist Soshiro Matsubara \n \nA Reflection on the Sublime is a group show conceived by the artist Kazuna Taguchi with a structural design by the artist Soshiro Matsubara. It is itself an abstract study conducted within the framework of an exhibition. \nAmong the participating artists is Joanne Kyger\, a poet who developed her own unique style while engaging with a wide circle of people and various groups in contemporary American poetry. As with others associated with the Beats\, Kyger’s works were influenced by mediation and Buddhism\, in particular Zen. Along with a poem titled “Descartes and the Splendor of. A Real Drama of Everyday Life. In Six Parts.”\, which deals with the French philosopher René Descartes’ Discourse on the Method\, Kyger made a video work called Descartes in 1968. The only video and the only story that Kyger ever made\, the work provided the inspiration and framework for this exhibition. \nThe structure of the exhibition primarily sets out to achieve two things. First\, it attempts to reexamine the framework of the group show while at the same time exploring the possibilities of the format. Second\, it strives to create a quiet dynamism amid the distinctive qualities of the space through the unique behavior of the works\, which transcend the barriers of categories like “modern art” and “contemporary art.” The exhibition itself was conceived as an implicit manifesto. \nA Reflection on the Sublime\nMarch 30 – June 9\nGeneral admission: ¥1\,100\nCollege: ¥800\nHigh school: ¥550 \n　
URL:https://gethiroshima.com/event/exhibition-a-reflection-on-the-sublime/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://gethiroshima.com/wp-content/uploads/2024/03/A-Reflection-on-the-Sublime.jpeg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240120
DTEND;VALUE=DATE:20240319
DTSTAMP:20260819T005723
CREATED:20240311T223655Z
LAST-MODIFIED:20240312T002739Z
UID:10008890-1705730400-1710741599@gethiroshima.com
SUMMARY:Exhibition: Moments to Fly Up
DESCRIPTION:Exhibition of the works of Ikeda Masuo (1934–1997)\, a Japanese painter\, printmaker\, illustrator\, sculptor\, ceramist\, novelist\, and film director\, as well as works by artists who influenced him. \n \nMasuo Ikeda  (1934ー1997) was born in Mukden\, former Manchuria\, and moved back to Nagano with his parents at the end of the war. After graduating from high school\, he moved to Tokyo to become a painter\, and through Ay-O\, he met Ei-Q\, who led the Demokrato Bijutsu Kyokai (artists association)\, and Sadajiro Kubo\, an art critic\, leader of the Souzo Biiku Movement\, and a collector of prints. \nThe Demokrato was active mainly in Tokyo and Osaka\, and the only condition for participation was “not to exhibit in established art circles\, “which attracted many artists who sought freedom in their creations. Ikeda was one of them\, and he learned copperplate engraving from Ei-Q and devoted himself to printmaking under Kubo’s patronage. \nIn 1957\, Japan\, which was recovering its national strength after the war\, held the first international contemporary art exhibition\, the Tokyo International Print Biennale. Ikeda and other artists from the Democrato group were selected to exhibit their works at the exhibition\, and it became a catalyst for their breakthrough\, but Ei-Q decided to dissolve the Democrato group. However\, the young artists were awakened to the possibilities of printmaking and showed vigorous creative activity\, and Ikeda\, in particular\, won the International Grand Prize in printmaking at the Venice Biennale in 1966 and gained international acclaim. \nThis exhibition looks back on Japanese prints and paintings that attracted international attention at the time\, featuring works from the museum’s collection of lkeda’s works from the 1950s to 1966\, a quarter of a century after his death\, as well as works by artists who influenced Ikeda and with whom he was in contact. \nMoments to Fly Up: Ikeda Masuo and the Demokrato Artists\nJanuary 20 – March 17\nGeneral admission: ¥1\,100\nCollege: ¥850\nHigh school: ¥550\nJunior high and younger: free
URL:https://gethiroshima.com/event/moments-to-fly-up-ikeda-masuo-and-the-demokrato-artists/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://gethiroshima.com/wp-content/uploads/2024/03/Moments-to-Fiy-Up_hmoca.jpeg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20240110
DTSTAMP:20260819T005723
CREATED:20231124T001359Z
LAST-MODIFIED:20231124T001359Z
UID:10008757-1698991200-1704779999@gethiroshima.com
SUMMARY:Glass Tableware in Still Life
DESCRIPTION:Glass Tableware in Still Life: Yoko Andersson Yamano and 18 Painters \nFrom the HMOCA website: \n“Ms. Yamano\, how about making a book based on your glass works?” \nThis suggestion was the spark of inspiration for the project Glass Tableware in Still Life. \nArtists communicated the types of glassware they wanted to depict to the glass artist Yoko Andersson Yamano\, who blew glass pieces in response. The artists then produced works while looking at the completed glassware. The photographer Masahiro Sambe subsequently visited the artists’ studios to take photographs\, and the designer Yuri Suyama designed the book. Unfolding in Sweden\, Germany\, and Japan\, the project was initiated in the hope that many would view the resulting glass pieces\, paintings\, and photographs\, eventually leading to this exhibition. \nThe project unites the slightly distorted beauty unique to clear glassware created by free blowing\, artists’ intimate paintings\, and charmingly buoyant black-and-white photographs. \nWe hope viewers will open their ears to the voices emerging from these creative works\,\nand enjoy weaving together their individual stories. \nOpening Hours:\nNovember 3\, 2023 – January 8\, 2024\n10:00-17:00 (final admission 16:30)\nClosed December 27\, 2023 – January 1\, 2024 \nAdmission:\nAdults ¥1\,100\nUniversity students ¥800\nHigh school students and seniors (65 and over) ¥550\nFree admission for children under Junior High School age.
URL:https://gethiroshima.com/event/glass-tableware-in-still-life/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://gethiroshima.com/wp-content/uploads/2023/11/Glass-Tableware-in-Still-Life_.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230722
DTEND;VALUE=DATE:20231017
DTSTAMP:20260819T005723
CREATED:20230905T005332Z
LAST-MODIFIED:20230905T005639Z
UID:10008752-1690005600-1697435999@gethiroshima.com
SUMMARY:Alfredo Jaar Exhibition
DESCRIPTION:Exhibition of work by Chilean-born artist\, architect\, photographer and filmmaker based in New York City and recipient of the 11th Hiroshima Art Prize. \n \nEstablished in 1989 by the City of Hiroshima\, site of the first atomic bombing in human history\, the Hiroshima Art Prize aims to appeal to a wider world about the “Spirit of Hiroshima\,” which seeks everlasting world peace through contemporary art. The prize is awarded every three years. This year we present an exhibition by Alfredo Jaar\, winner of the 11th Hiroshima Art Prize\, at the Hiroshima City Museum of Contemporary Art. \nAfter studying architecture and filmmaking\, Jaar (born in 1956 in Santiago\, Chile) moved to the U.S. in 1982\, establishing a base in New York. In the early ’80s\, Jaar gained international recognition for his artworks\, which included photographs\, lightboxes\, and public projects. Since that time\, Jaar has consistently adopted a journalistic perspective based on thorough investigations of historical events and tragedies\, and social inequalities around the world. His work is distinguished by large scale\, multisensorial installations which incorporate architecture\, photography\, film and special effects. \nIn 1995\, the artist created a work related to Hiroshima for After Hiroshima: Special Exhibition for the 50th Anniversary of the Hiroshima A-bombing\, which was held at the Hiroshima City Museum of Contemporary Art. In 2013\, he has also created works based on his research of the Great East Japan Earthquake and the subsequent nuclear power plant accident in Fukushima. This exhibition\, Jaar’s first full-fledged museum exhibition ever held in Japan\, functions as a career-spanning survey which includes some of the most important works created by the artist as well as new works that approach Hiroshima as a contemporary issue. \nhttps://alfredojaar.net/ \nAdmission: \nAdults: ¥1\,300 (¥1\,000)\nUniversity students: ¥950 (¥750)\nHigh school students and seniors (65 and over): ¥650 (¥500) \nOpening Hours \n10:00–17:00 (Final admission 30 minutes before closing)\nClosed Mondays (except September 18 and October 9)\, and September 19\, October 10
URL:https://gethiroshima.com/event/alfredo-jaar-exhibition/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://gethiroshima.com/wp-content/uploads/2023/09/Alfredo-Jaar.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180602
DTEND;VALUE=DATE:20180728
DTSTAMP:20260819T005723
CREATED:20180516T231503Z
LAST-MODIFIED:20180516T231831Z
UID:10006699-1527919200-1532671199@gethiroshima.com
SUMMARY:Modern Art Revisited
DESCRIPTION:Modern Art Revisited: from the collection of Fukuoka Art Museum \nTwentieth century art can be marked by the rise and fall of various art movements. The flow from Surrealism to abstract expressionism and Pop Art appeared after the Second World War are referred to as modern art.\nOpened in 1979\, the Fukuoka Art Museum is a large facility known for its extensive collection of some 16\,000 items\, centering on two main pillars: modern and contemporary art\, and antiquities. As the museum is currently in the midst of a major renovation project in preparation for its reopening in 2019\, this exhibition features approximately 70 masterpieces of American\, European\, and Japanese art from the museum collection. From Dalí and Warhol to Yayoi Kusama\, the exhibition provides a valuable opportunity to retrace the course of modern art at this moment in time.\nExhibited Artists \nGenpei Akasegawa\, Arman\, Jean-Michel Basquiat\, Louis Cane\, Marc Chagall\, Salvador Dalí\, Paul Delvaux\, Jean Dubuffet\, Kinosuke Ebihara\, Eikyu\, Koji Enokura\, Jean Fautrier\, Lucio Fontana\, Léonard Foujita\, Kazutomo Fujino\, Noriyuki Haraguchi\, Tatsuo Ikeda\, Yasuyuki Ishibashi\, Osamu Kanemura\, On Kawara\, Sho Kazakura\, Mokuma Kikuhata\, Yves Klein\, Tetsumi Kudo\, Yayoi Kusama\, Tadaaki Kuwayama\, Roy Lichtenstein\, Takesada Matsutani\, Kotaro Migishi\, Lisa Milroy\, Joan Miró\, Sadamasa Motonaga\, Shuji Mukai\, Hiroshi Nakamura\, Gyoji Nomiyama\, Shigeharu Obana\, Osamu Ochi\, Shinro Ohtake\, Sigmar Polke\, Robert Rauschenberg\, Mark Rothko\,Takami Sakurai\, Shozo Shimamoto\, Ushio Shinohara\, Kazuo Shiraga\, Frank Stella\, Mitsuko Tabe\, Atsuko Tanaka\, Antoni Tàpies\, Tiger Tateishi\, Toeko Tatsuno\, Mark Tobey\, Claude Viallat\, Andy Warhol\, Jutaro Yamauchi\, Naohide Yamazaki\, Miwa Yanagi\, Yukinori Yanagi\, Tadanori Yokoo\,\nJiro Yoshihara \nOpening hours: 10:00-17:00 (Last admission 16:30)\nClosed 	Mondays (except July 16) and July 17 \nAdmission\nAdults ¥1200 (¥1000)\nUniversity students ¥900 (¥700)\nJunior high school students and younger: Free admission\nHigh school students and seniors [65 and over] ¥600 (¥500) \nImage: The Madonna of Port lligat\, 1950 ©Salvador Dalí\, Fundació Gala-Salvador Dalí\, JASPAR Tokyo\, 2018 C2147
URL:https://gethiroshima.com/event/modern-art-revisited/
LOCATION:HMOCA\, 1-1 Hijiyama-koen\, Minami-ku\, Hiroshima-shi\, Hiroshima-ken\, 732-0815\, Japan
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://gethiroshima.com/wp-content/uploads/2018/05/Dali-The-Madonna-of-Port-lligat-1950.jpg
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END:VEVENT
END:VCALENDAR